film and television

The yearlong partnership provides graduate students with opportunities to create new narratives to engage audiences with research.

The partners, who also include multiple Hollywood industry groups, are trying to initiate changes around diversity, inclusion and equality efforts in the entertainment industry.

This ignorance of what’s a legitimate threat and fanciful fiction can result in insufficient responses to real threats like climate change.

Q&A with UCLA’s Sarah T. Roberts about seeing the subject of her work — the study of people who keep the internet “clean” — on screen in “The Cleaners.”

The iconic TV producer reflected on his decades-long career in a wide-ranging discussion for the launch of the latest issue of UCLA’s public policy magazine, Blueprint.

Sweet, 57, was a 1997 graduate of the school’s master of fine arts in screenwriting program. He died Dec. 28.       

In recognition of a life filled with accolades and dedicated to mentoring future leaders, he was awarded UCLA’s highest honor.

The clinic will provide pro bono services to independent filmmakers needing help with things such as contracts, intellectual property, licensing and the First Amendment.

“Romance Tropical” to premiere Nov. 4 as part of a UCLA Film and Television Archive exhibition, which celebrates the Spanish-language film culture of downtown Los Angeles.

A report by UCLA’s Darnell Hunt also found that major networks’ diversity programs are failing to meaningfully improve opportunities for black writers and other writers of color.

Liz Buda, Joey Siara, Godwin Itai Jabangwe and Eric Mallory Morgan were honored for excellence in dramatic writing in the 62nd annual competition.

Renee Tajima-Peña’s award-winning documentary “No Más Bebés” tells the story of how these women were sterilized without their consent or under extreme duress from doctors.

Award-winning comedy television writers with degrees in mathematics and science discuss “The Calculus of Comedy: Math in The Simpsons, Futurama, and The Big Bang Theory” on Wednesday, Oct. 25, 2017.

Lecturer Tananarive Due uses the acclaimed horror blockbuster and other films and books to examine how depictions of blackness have shaped real-life attitudes and prejudice.

In this interview the head of collections for the UCLA Film and Television Archive discusses her job and how she got into film preservation.

UCLA digital humanities students built a website and database that sparked a curator to develop “Center Stage: African American Women in Silent Race Films.”

Unique stories will be created at the UCLA School of Theater, Film and Television/Université Côte D’Azur Storytelling Institute.

The event featured Terry George, an Academy Award-nominated writer and director; Dr. Eric Esrailian of the David Geffen School of Medicine at UCLA; and Stephen D. Smith of the USC Shoah Foundation.

The program drew from the expertise of more than two dozen speakers from film and television studios, law firms, talent agencies, new media powerhouses and venture capital companies.

The report examines hiring of women and minorities for 200 theatrical film releases in 2015, as well as 1,206 TV, cable and digital platform shows from 2014–15.

ABC’s new head of enertainment is determined to win with a diverse lineup of TV shows that reflect what America really looks like

Five excited UCLA freshmen recently met the cast, producers, writers and crew of “The Big Bang Theory,” the people who are helping to fund their scholarships.

Hanson, a cinephile who attended many of the archive's events, launched the archive's popular series, "The Movie that Inspired Me."

Associate Adjunct Professor John Simmons in the UCLA School of Theater, Film and Television received a Creative Arts Emmy Award last week for outstanding cinematography for a single-camera series as the director of photography.

A 1964 interview with Martin Luther King Jr. is one of many historical moments from KTLA-TV in a new online portal created by the UCLA Film and Television Archive.