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Feb. 13: Stopping the next global health crisis

Join Dr. Anne Schuchat, acting director for the Centers for Disease Control for a discussion on the inevitability of health threats and the preventability of global health catastrophes.

UCLA anthropologist reveals nostalgia for music of the '60s

Recently, Lane Ryo Hirabayashi, a socio-cultural anthropologist in the UCLA Department of Asian American Studies, answered a few random questions for the Zócalo Public Square website before appearing on a Zócalo/UCLA panel at the Japanese American Museum.

Feb. 7: AARP's CEO Jo Ann Jenkins

CEO of AARP Jo Ann Jenkins seeks to "disrupt aging" with a fresh outlook on the nation's increasingly older population — and how society will change as a result.

UCLA researchers to document rollout of Laura’s Law

Dr. Joel Braslow and Philippe Bourgois of the Center for Social Medicine and the Humanities at UCLA’s Semel Institute have won a three-year, $1 million grant from the L.A. County Department of Mental Health to study how the county deploys urgent psychiatric care.

Jan 29-May 7: Pantsula, popular South African dance and fashion

The first American exhibition on pantsula, "Pantsula 4 LYF: Popular Dance and Fashion in Johannesburg," will open at the UCLA Fowler Museum  and feature a series of photographs and videos taken by South African photographer Chris Saunders that examine ...

UCLA marketing expert finds niche in tech industry

Anke Audenaert, an assistant adjunct professor of marketing at UCLA’s Anderson School, never planned on working in the tech industry. But after spending more than 15 years working at various tech companies, she has charted a path to success in that field.

Feb. 26: Israeli Chamber Project

Founded in 2008, the Israeli Chamber Project brings together some of today’s most distinguished musicians for chamber music concerts and educational and outreach programs both in Israel and abroad.

Jan. 29-April 30: Dubuffet drawings at the Hammer

A leading French artist of the 20th century, Jean Dubuffet (1901–1985) eschewed traditional notions of beauty in art in favor of what he perceived as more authentic forms of expression.
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